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Kete Katha kahesi je funny Sambalpuri Comedy and Image Kete katha kahesi 

Kete Katha Kashesi 

The legislature of India announced Odia as the 6th traditional dialect of the nation on February 20, 2014. On that day, Odias over the state found an event to celebrate. Etymologist Debiprasanna Pattanayak had clarified the traditional qualities of Odia before the dialect specialists of our nation on July 23, 2013, which prompted the choice.

On March 1, boss pastor Naveen Patnaik composed a letter to the Union home service suggesting Sambalpuri/Koshali and Ho dialects to be incorporated into the Eighth Schedule of our Constitution. It was maybe the initial step that the general population of west Odisha needed for their first language to accomplish.

In any case, from that point onward, rumored etymologists appear to have fears that if a dialect goes to the Eighth Schedule, it may give the general population talking it purposes behind a statehood request. Some gave the case of Konkani dialect prompting arrangement of Goa. They are worried about the possibility that that the territory of Koshal may come to presence if Sambalpuri/Koshali goes to the Eighth Schedule. In any case, shouldn't something be said about Ho? Is it true that we will deny the privilege of a people, the legitimate place of its first language? What dialects were fillips in the development of the conditions of Jharkhand, Chhattisgarh, Uttaranchal and Telangana? We realize that monetary issues could easily compare to dialect and culture for arrangement of states. Hence, etymologists must not welcome lack of respect from the general population by contradicting the legitimate place of its native language.


At the point when George Abraham Grierson began his Linguistic Survey of India in 1894, the general population of west Odisha had been speaking Sambalpuri/Koshali. They comprehended the Odia Bhagabat superior to Hindi (Awadhi) Ramcharit Manas. Subsequently, when the main magistrate of Central Provinces, in his request dated January fifteenth, 1895, canceled Odia as the court dialect of Sambalpur and presented Hindi in its place, individuals needed to battle against that.

"The dialect fomentation began in Sambalpur and wound up far reaching in Orissa. Oriya was reestablished as the official dialect of Sambalpur in 1903 and consequently in October, 1905, the main part of the area was exchanged to Orissa," revealed the authors of Orissa District Gazetteers, Sambalpur, in 1971.

All India Radio, Sambalpur, began working in 1963. By at that point, known authors of Samalpuri/Koshali were Kapil Mahapatra, Balaji Meher, Laxmana Pati, Khageswar Seth, Shashi Bhusan Mishrasharma, Motilal Panda, Satyanarayan Bohidar and Bidhu Bhusan Guru. The Renaissance of Samalpuri/Koshali dialect and writing started in 1984. We got Rangabati (tune) of Mitrabhanu Gountia, Sasemira (show) of Prasanna Sahu, Bhukha (dramatization/film) of Manglu Biswal and Ukhi (show) of Binod Pasayat.

We got several tunes and melodious plays from AlR, Sambalpur. West Odisha experienced something brilliant and empowering in Haldhar Nag. From 1990, he has been conveying with him Sambalpuri/Koshali sonnets to national focuses of training and culture all through the nation. Sasemira was granted the main prize in National Drama Festival, Allahabad in 1983.

From that point forward, Sambalpuri/Koshali plays have been effectively exhibited at different social focuses the nation over. The Sambalpuri/Koshali Drama Competition, held in Sambalpur each winter, has been introducing plays of good quality throughout the previous 17 years. Among the new age of Sambalpuri/Koshali writers, Panchanan Mishra, Brajendra Nayak, Kesaranjan Pradhan, Ashok Bohidar, Nakula Badi and Arun Sahu are a portion of the outstanding effective dramatists.

At present, we discover sagas of the Ramayan, the Mahabharat and the Bhagabat, reproduced by committed writers, for example, Ujalbati, Nilmadhab Panigrahi, Hemachandra Acharya and Purnachandra Sahu. We discover books on stories, books, language and word reference and a wide range of writing in Sambalpuri/Koshali. Nearly 30 magazines have been enrolled in the dialect.

For what reason is this specification here? Inquiries have been raised if the state government would consider the requests when sent a proposition to incorporate the Berhampuri vernacular in the Eighth Schedule or if the general population of Balasore or Baripada request isolate dialect aggregate status in future.

All things considered, why not? On the off chance that those talked shapes in course of time gain the attributes of a characteristic dialect as we discover today with Sambalpuri/Koshali, we ought to be content with that on the off chance that it occurs.

Etymologist Debi Prasanna Pattanayak had stated: "Issues over connections between the dialects and lingos dependably have issues and it is a container world marvel." But at that point, can a language specialist settle on dialect and vernacular? Best case scenario, language specialists think about them and give a hypothesis. The choice will be taken by the general population and their legislature.


John Lyons states: "The qualification among dialect and lingo is normally drawn on political grounds. There is less contrast between Swedish, Danish and Norwegian, for instance, which are typically alluded to as particular 'dialects', than there is between a considerable lot of the supposed 'tongues' of Chinese."

Hence, the means taken by the state government for the legitimate interest of the general population of west Odisha for their first language don't demonstrate "youthful political statesmanship and vision". They mirror the knowledge and development of a decent government. Dialects obtaining vernaculars and lingos getting to be dialects go together. Till there are Hindi movies, the dialect will continue succeeding, getting quality from every one of the dialects of the globe.

In the event that etymologists accept, as some have communicated, that the general population of Balangir are not supporting the thought, they may contact Kosali Ekata Manch of Sonepur and Kosal Kranti Dal of Balangir to get disappointed.


Gangadhar sang: "On the off chance that you need to be regarded/Have most extreme regard for your first language." Though this couplet producing sense of pride was sung for Odia while she was in peril, it is relevant to each dialect and its speakers. Subsequently, the daily paper commercial of the state government regarding a native language ought not be expected as "risky".

In 1895, individuals had dithering to broadcast Sambalpuri as their first language, while in 1995, they yelled with delight that Sambalpuri/Koshali is their cherished primary language. The dialect had officially obtained the perfection and the intensity of articulation for which one will be glad for utilizing that. As an inhabitant of Odisha, everybody should celebrate to discover the accomplishments of Sambalpuri/Koshali.